Filmmakers have progressed a long way from the early use of those rear projection scenes. We make fun of those now but Hollywood FX needed to start someplace. Today, directors can call on the current state of the art innovation to assist them tell their story. Some people believe that there is an over reliance on unique effects, to the detriment of story and characterization. New methods have had the most effect on historic epics, sci-fi and animation.
Matte painted backgrounds and miniature designs served movies well for a very long time, enabling futuristic films such as Fritz Lang's Metropolis. A mix of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great appearance real, in motion pictures that included Jason and the Argonauts and The Golden Voyage of Sinbad. War films that required sea fight video used miniature models in big water tanks. This, and a technique called taking a trip matte, created the splitting of the Red Sea scene in The Ten Commandments. No miracle was beyond the power of special effects experts.
Additional development came when effects supervisor Douglas Trumball created new techniques for the final voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the challenge and astounded audiences with Star Wars in 1977. His team invented a new computer system managed electronic camera that enhanced duplicated cam movement and widescreen shots. Lucas then formed Industrial Light and Magic, the company that has pioneered Hollywood FX since.
Today, we are utilized to the idea of films being shot with a blue screen and the background being included later on. Computer Graphics Imaging (CGI) controls the scene now. Any things or person can be manipulated by the computer system and blended in with the live action. This method was put to great usage in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects team at Pixar has presented it to their full length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are almost gone. The Weta workshop in New Zealand has actually built a track record as one of the very best special effects business, especially since the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has made the return of the epic film possible. It would have been cost prohibitive to develop a mock up of the Coliseum in Gladiator. Russell Crowe battles the lions in a CGI virtual world.
We laugh at those now however Hollywood FX had to start somewhere. A mix of miniatures and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in films that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the business that has pioneered Hollywood FX ever considering that.
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